3 Reasons Why Old Vine Wines are (well, maybe) Better

My 3 Exhibits: Attention Class

2018 None Such Mourvedre, Enz Vineyard, San Benito County, $38.00 at http://www.nonesuchwines.com

2018 Bedrock Wine Company California Old Vine Zinfandel $27.99 at www. wine.com

2018 Ridge Petite Sirah Lytton Estate, $38 at http://www.invino.com

Are Old Vine wines better than other wines? This question likely ranks as one of the most common raised in wine classes. It is often raised when the subject turns to Zinfandel and indeed, there are arguably more Old Vine Zinfandels now on the market than any other wine type.

Yet, before getting to possible answers, let’s be clear: old vines exist in many other wine regions, especially in Spain, Portugal, Argentina and Chile.

First, “old” is not very well defined in the wine world. So because the average lifespan of a productive vine is 45-50 years, I’m using old for a vine that’s at least 50 years old. That’s 

Pre-1970 in California, but there are vineyards that were planted in the 1880s, 90s.

When a vine ages beyond 50 years, it becomes less and less productive, meaning fewer clusters per vine and often smaller berries. So one attribute of old vines is a concentration brought naturally about by low yields and small berries. Without getting geeky scientific, the ratio of juice to grape skins is different. And the skins yield less tannic wines.

Another thing often pointed out is that old vines have deep roots which makes sense. Deep roots have the vine drawing different nutrients from the soil than young vines. Many winemakers believe that leads to a balanced vine, one that matures the grapes evenly and the maturation process is smooth and normal.

Now one more point to bring up before answering the question and that is old vines are usually tended differently. For starters, most are dry farmed, meaning never irrigated. Then many are own rooted, meaning direct bearers, not grafted onto highly productive, disease re rootstock.  

That they are farmed differently was hammered home when I walked through old Mourvedre vines in Roussillon and through old steep vineyards in Oporto. In both, the vines were not planted in rows, they zigzagged their way along a slope or around a rock because everything was handled by people, not machines. The old vineyards in Oporto and many places are mixed, meaning field blends of several varieties intended to be harvested at the same time and fermented together. Many Old Vine Zinfandels are most likely field blends. 

But are Old Vines better?

  1. Balance

For starters, they are better balanced because the vine was in balance and therefore the wine didn’t need to be adjusted, manipulated, or rocket aged by some nerdy winemaker. The reason why so many pre-1970 California wines were field blends was to prevent a new winemaker from changing the tried and true winemaking regime. I may have heard that from Robin Lail whose family ran Inglenook during its prime years. 

2.Texture

In addition to aromas and flavors, wine has a range of textural possibilities. This is also known as the “mouthfeel,” as in soft, silky, astringent, puckery, harsh and whatever. Helen Turley, aka the “wine goddess” crowned by Robert Parker was not nerdy at all. Once when tasting wines with her, she started  talking about “old vine velvet” and to this day, this attribute stands out to me. Old vines at their best are more concentrated but the tannins are less harsh so the wine might have high alcohol but still come across as velvety smooth.

3. History

There’s something authentic about an Old Vine wine because it captures and showcases a sense of place, not a wine made in the cellars, not a wine that’s a winemaker’s signature. In this era of over blown cult wines and cult winemakers, that’s rare and refreshing. The enjoyment of wine is more about places and peoples, not points.

Your Cheat Sheet

Wine #1

Sommelier Ian Cauble puts it better when talking about the 2018 None Such Winery Mourvedre

Made from Enz Vineyard: 

It is, he explains, made from vines that are “own-rooted, head-trained, dry-farmed, and hidden deep in San Benito County, where it has flourished since the 1800s. The wines which hail from this special place are truly remarkable. To drink Enz is to understand the very fabric of California winemaking, and to be lucky enough to make a wine from Enz is to partake in history.” The winemaker and owner of None Such is Caitlin Quinn. You might want to remember that name.

Wine #2

The 2018 Ridge Lytton Estate Petite Sirah is an old field blend with Zinfandel. The vineyard was established in 1901. Ridge and winemaker Paul Draper need no explanation.

Wine #3

 Bedrock’s 2018 Old Vine Zin is a blend of 85% Zinfandel filled out with Mataro, Grenache, Alicante Bouschet, Carignan, Petite Sirah and scant amounts of the many other varieties that can be found in California’s older, multifarious vineyards. And BTW, just about every Bedrock wine demonstrates the unique appeal of Old Vine and Heritage Vineyard wines. The winery is part of the Joel Peterson clan, the pioneers of old vine wines.

And yes, I reversed #2 and #3 here just to see if you were paying attention.

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Author: robywine, norm roby

My career as a wine journalist/critic began in 1975 when my article about California Petite Sirah was published. My focus remained on California as I edited a monthly wine magazine and then moved on to The Wine Spectator in 1982. Over the following years, my column appeared under the banner of “Stormin’ Norman, and I also wrote articles about wine collectors and wine auctions. Without getting into a year by year bio, let me try to summarize here. During my time with The Spectator which I enjoyed immensely, I taught wine classes at a culinary school and at other venues in San Francisco. Before venturing into wine, teaching was my thing, English Lit and Rhetoric. After The Spectator I was the U.S. Contributor to Decanter Magazine, writing mostly about California, but also expanding into Washington State and Oregon. My Decanter years began in 1992 and after buying a summer home in France in 2000, I traveled throughout France and eventually published articles about St. Emilion, Castillon, Bergerac, Minervois, Roussillon, Luberon, Provence, and Alsace. Also, around 2000, my wife began working for Cousino-Macul in Chile, so we tasted and traveled our way through Chile and, of course, managed to fly over the Andes and explore and taste our way through Argentina. As travel lovers, we have also spent many interesting days visiting the wine regions of Spain, Italy, Portugal, Scicily, Greece, and New Zealand. And to come to a close, I was Director of Winesong, a Charity Wine Auction for 20 years, 1992-2000 that benefitted a local hospital. That brought me in contact with wine collectors and to the auction scene. And finally, I co-authored a book, The Connoisseurs’ Guide to California Wine published by Alfred A. Knopf. It went through 4 editions and sold over 500.000 copies.

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